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Author Topic: 3 row usage  (Read 12598 times)

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Mike Hirst

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Re: 3 row usage
« Reply #60 on: January 02, 2016, 04:55:39 PM »

Marc Peronne is .. playing straight conservatoire style there,
Chris, could you clarify for me... when you say style, do you mean layout (rather than technique)? If so, do you know what the right hand layout is?
Thanks

Interesting turn of phrase there Chris. I recognise (and use) the approach you are referring to, but I have not heard it defined using that term. Do you have derivation, or explanation, or is this a self coined usage - which I might enjoy filching.

P.S. Thanks for reminding me that it is too long since I watched L'Atalante. Guess What I'll be watching when I come back from the gig tonight.

AtB

Mike
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playandteach

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Re: 3 row usage
« Reply #61 on: January 02, 2016, 06:25:40 PM »

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Gary P Chapin

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Re: 3 row usage
« Reply #62 on: January 03, 2016, 12:19:34 AM »

Bb, and C minor are big BIG keys in Brittany as they commonly play with bagpipes and bombardes.

My friend Pierre on Ile Grande (North coast, an hour from Cornouaille and val d'Aven) carries around Bb 1-row, and Bb/Eb melodeons … and a triangle, on which he is a rhythmic genius.  :|glug

Etienne of this parish has five or six videos of himself playing a one row B flat box, here: http://pousser-tirer.blogspot.com/
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Chris Ryall

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Re: 3 row usage
« Reply #63 on: January 03, 2016, 09:44:36 AM »

Confess that "style" is out of the air there, though crossing rows is what is taught there, and they even have to do scales.

It's horses for courses - I recall friends in Paris astonished at the ryhthm and drive :|bl I'd just delivered on a couple of polkas, played on the row "English style", but the waltz is the paradym in France, and is danced smoothly, they just sort of spin.

As endlessly discussed here the best spot is to be able to do both styles, at will as appropriate to the music in play and any dancers about. And indeed to mix it up a bit. Is there a better word? I suspect had I written "English melodeon style" there would have been no ripples in the lexographic ether, and indeed that sort of phrase is used pretty freely in folk guitar circles :|glug

Thanks for the links Gary. For the purposes of this thread I was more getting at what to do when you find yourself in a Bb session with a DGaccs or GCaccs in your hand.
« Last Edit: January 03, 2016, 09:48:36 AM by Chris Ryall »
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Gary P Chapin

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Re: 3 row usage
« Reply #64 on: January 03, 2016, 08:28:26 PM »

Yes, Chris. I realized after I posted I was off topic ... lured by the fascination of the flat keys.   :o
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Read the l'Accordéonaire French music blog: http://accordeonaire.com/
The Bal Folk Tune Book Project: https://accordeonaire.com/bal-folk-tune-book-project/
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